The Coen Brothers
This Book Really Ties the Films Together
By Adam Nayman
Illustrator Telegramme Paper Co. (with Oliver Stafford and Jason Ngai)
Produced by Little White Lies
  • Imprint: Abrams Books
  • Publication Date: September 11, 2018
  • Price: $40.00
  • Trim Size: 10 x 12
  • ISBN: 978-1-4197-2740-5
  • EAN: 9781419727405
  • Page Count: 320
  • Illustrations: 336 color photographs
  • Format: Hardcover
  • Rights: World/All
  • Additional formats:

From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre.


“…fans of Joel and Ethan Coen will appreciate this oversized guide to their offbeat oeuvre…”
“…a marvelous mixture of well-designed coffee table book and thoughtful analysis of a filmmaking team…”
“..this detailed compendium is a cinephile’s delight.”
"… film critic Adam Nayman weaves biography, critical analysis, and interviews with Coen collaborators (including longtime cinematographer Roger Deakins) to present the definitive history of the Coen brothers oeuvre.”
"...filled with glossy, well-chosen pictures as well as thoughtful, eloquent analysis..."
Filmmaker Magazine
"...a deep dive into the Coen cinematic universe."

About the author

Adam Nayman is a contributing editor for Cinema Scope and writes on film for The Ringer, Sight and Sound, Reverse Shot, and Little White Lies. He has written books on Showgirls and the films of Ben Wheatley, and lectures on cinema and journalism at the University of Toronto and Ryerson University.